Sem Deus
INSPIRATION FOR CREATIVE PEOPLE
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blastedheath:

Jean Dubuffet (French, 1901-1985), "Memoria" (Deux personnages), 1963. Gouache on paper on canvas, 39 1/2 x 26 3/4 in.
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tonihalonen:

Erika’s Basement
Illustration for a Basement Party, 2014
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brokenandseverelydamaged:

surejohn221b:

lumos5000:

incineraptor:

lexxerduglas:

clorinspats:

shade-rartblog:

thewingedshadow:

elliotexplicit:

cineraria:

How to Fold a Shirt in Under 2 Seconds - YouTube 伊東家の食卓

I just did this. Legit.

the fuck

Clearly this is black magic at work here

been folding my shirts like this for so long that it feels weird to do it any other way

WHAT THE SHIT

i did this just now completely skeptical and when it worked i just fell over onto my bed and sobbed into my blanket

trying this later when i have time…

you have time to be on tumblr but not enough time to fold a shirt in 2 seconds

That was fun
brokenandseverelydamaged:

surejohn221b:

lumos5000:

incineraptor:

lexxerduglas:

clorinspats:

shade-rartblog:

thewingedshadow:

elliotexplicit:

cineraria:

How to Fold a Shirt in Under 2 Seconds - YouTube 伊東家の食卓

I just did this. Legit.

the fuck

Clearly this is black magic at work here

been folding my shirts like this for so long that it feels weird to do it any other way

WHAT THE SHIT

i did this just now completely skeptical and when it worked i just fell over onto my bed and sobbed into my blanket

trying this later when i have time…

you have time to be on tumblr but not enough time to fold a shirt in 2 seconds

That was fun
brokenandseverelydamaged:

surejohn221b:

lumos5000:

incineraptor:

lexxerduglas:

clorinspats:

shade-rartblog:

thewingedshadow:

elliotexplicit:

cineraria:

How to Fold a Shirt in Under 2 Seconds - YouTube 伊東家の食卓

I just did this. Legit.

the fuck

Clearly this is black magic at work here

been folding my shirts like this for so long that it feels weird to do it any other way

WHAT THE SHIT

i did this just now completely skeptical and when it worked i just fell over onto my bed and sobbed into my blanket

trying this later when i have time…

you have time to be on tumblr but not enough time to fold a shirt in 2 seconds

That was fun
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Classic…
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darksilenceinsuburbia:

Audrey Stommes
From Bats
darksilenceinsuburbia:

Audrey Stommes
From Bats
darksilenceinsuburbia:

Audrey Stommes
From Bats
darksilenceinsuburbia:

Audrey Stommes
From Bats
darksilenceinsuburbia:

Audrey Stommes
From Bats
darksilenceinsuburbia:

Audrey Stommes
From Bats
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asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
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detailsofpaintings:

Charles Chaplin, Junge Frau im Ballkleid mit Putten (details)
By 1895
detailsofpaintings:

Charles Chaplin, Junge Frau im Ballkleid mit Putten (details)
By 1895
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asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces
asylum-art:

Laura B Fernandez: Little pieces